Three statements, three different arrivals, hard cuts between them. The first is wiped on left to right behind a magenta edge that cools to white, then pushes slowly toward the viewer and slides away mid-motion. The second arrives from the right with its words held apart and the gaps close as it lands — nothing scales, only the spacing moves. The third starts larger than the frame and falls back to a line, losing a fixed share of the remaining distance every frame. Give it three strings; every timing is a prop.